You may have noticed that lately, magnolia trees are blooming everywhere!
The Southern Magnolia has become a symbol for the deep South – even being chosen as the state tree of Mississippi and the state flower of Mississippi and Lousiana. However, these trees can grow in states ranging from southern portion of North Carolina, down to Florida, and all the way over to Texas.
These trees are large in every way. They grow 1-2 feet per year to reach a total height of 60-80 feet, and a width that is about half their height. Their blossoms can reach one foot in diameter when fully opened. Their leaves typically measure at least half a foot long.
When planting a magnolia, their size should be taken into consideration as well as their leaves. Seriously, I can speak from experience – these large leathery leaves are not to be taken lightly! As a kid, my parents sometimes gave me the chore of raking these leaves and collecting their large seed pods – and since these trees typically shed their leaves year-round, this can be never-ending. When this layer of heavy leaves is combined with the dense shade of the tree, you will be fighting a battle to try to retain your lawn underneath the tree. So, don’t plant a magnolia if you want a pristine lawn…. Or, unless you have children for free labor. (Just kidding!)
Magnolia seed pods are also frequently used in art and décor throughout the South. My favorite use of these seed pods is located in the Tattnall Square Park in Macon, GA. The park is currently undergoing a restoration, due to a community effort composed of locals and Mercer University students and staff. The park originally had several brick gateways, but they had since been torn down.
Rather than creating the typical magnolia finial (pictured above) the Friends of Tattnall Square (along with help from the Knight Neighborhood Challenge) got ceramicist Amy McCullough Hellis to create one-of-a-kind finials for the new gateways.
“Macon-based ceramicist Amy McCullough Hellis designed and created the magnolia pod finials special for Tattnall Square Park; Mike Dobson at Westside Stonework did the incredibly complex rubber mold and stone casting for the finials; and Franco DeMichiel oversaw the entire project. Most importantly, we decided not to use a prefab or mail order catalog finial early on in the process. We wanted something more creative and imaginative—something that really reflected Tattnall Square’s own personality as a center of creativity and natural beauty. After bandying ideas back and forth, Tattnall Square art adviser and decorative artist Katy Olmsted suggested that we create original finials to reflect the many seed pods or nuts present inside the park […] Inspired by the scores of old magnolias in the park, Amy chose an autumn magnolia seedpod as her model and worked on the piece for ten months, first finding pods, then sculpting a maquette (a small model), and then another maquette, and finally the larger piece. She wanted to create something that looked hand-crafted, rather than mechanically reproduced, something asymmetrical to reflect the unique and asymmetrical world of nature (and magnolia pods), and something that subtly suggests the historic arches at Tattnall’s gateways.”
– Andrew Silver, pictures and quote posted on Friends of Tattnall Square Park
Posts are a combination of my own research, visits, and conversations, plus various information found around the web. I try to provide sources, but if you have specific questions, feel free to ask!